Theatre & the Classroom: Theatre History, Literature & Les Misérables, Part One

Les Misérables165

Les Misérables165Teaching Les Misérables in the classroom offers educators the chance to include a range of diverse subjects. Plus, with the return of Les Misérables to Broadway in 2014, a hit movie version of the musical, the book, and many other versions on film, this musical provides teachers ample opportunity to be creative in working with the story, characters, and the Romantic genre. In this two-part series, we will first consider the history of Romanticism and then, in the second part, we will look at themes, topics, and subjects in Les Misérables that you may want to address in the classroom.

The Romantic Movement and Victor Hugo

Victor Hugo
Victor Hugo

In teaching Les Misérables, it’s important to understand that it is one of many Romantic works created by playwright and novelist Victor Hugo. Hugo was one of the leaders of the Romantic Movement in France and his play Hernani (1830) was the first successful Romantic play. It caused a riot on the theatre as the sides were clearly drawn- there were those who supported the new genre and those who wanted to hold onto French Neoclassicism, which was governed by strict rules that were associated with Aristotle’s poetics.

The Romantic Movement in France was about more than literature. It was about freeing the creative artist from restrictions imposed upon them by the French Academy and democracy. For more than 150 years French Neo-Classicism, with its precise rules and strictures, was not just the accepted form for tragedy, it was the only form. The French Academy held reign over writers and those who broke the rules of Neo-Classicism were subject to censure.
Henani broke those rules and set the stage for a whole new type of theatre. It’s influence would be world-wide and it is still felt today.

What is Romanticism?

The hero does not fit into society.
The hero does not fit into society.

You can explain elements of Romanticism when teaching Les Misérables in the classroom. As a reaction against French Neo-Classicism, Romanticism has specific elements that are in opposition to the older genre. Romantic plays such as Hernani and Cyrano de Bergerac and novels such as Les Misérables and The Hunchback of Notre Dame all contain similar points of view, characters, and messages.

The basic elements of Romantic literature:

  • The hero is someone who does not seem to fit into society
  • The hero is of noble or good birth
  • The hero has scruples and is true to their word
  • Usually there is some element of forbidden love
  • The love is one that cannot be consummated on Earth but lasts forever in some other realm
  • Local color is important, which means there’s a focus on environment
  • There are many scenes and settings
  • There are numerous subplots
  • The story unfolds over years

When compared to Neo-Classicism, which focused on a hero of noble birth who met a tragic end due to fate and which had one setting, one basic plot and took place over the course of one day, Romanticism was a radical movement. It was also very popular and successful.

Dynamic Stories

The stories are dynamic.
The stories are dynamic.

In teaching Romanticism in your class, it’s important to note the great influence that it has had. The various elements that the Romantics used helped them to create dynamic stories that captured people’s imaginations. Plays and novels written in the Romantic tradition offer musical theatre creators great opportunities to utilize the power of music, lyrics, movement, stage effects, and much more in developing works that overwhelm audiences such as Les Misérables. In Part Two, we’ll look at Les Misérables and a few of the ways teachers can utilize this Romantic story in the classroom.

  • This Author:

    Paul Mroczka

    Paul Mroczka has served Theatre By the Sea as associate director and playwright-in-residence. He has directed for companies including North Country Center for the Arts, Pontine Movement Theatre, The Theatre of Newburyport and the Palace Theatre. A former National Endowment for the Arts fellow in playwriting, he has also garnered a Shubert Fellowship, the Jason Miller Award and has received grants from the New Hampshire Council for the Humanities. His plays have been performed at New York’s La MaMa La Galleria, Nat Horne Theatre, and Manhattan Punchline Theatre, among others. His interactive planetarium show, Pathfinders, is running at the Christa McAuliffe Planetarium in Concord, NH. Recent directorial assignments include Good People, Steel Magnolias, and The Complete World of Sports (Abridged) at The Barnstormers Playhouse in New Hampshire, and Rumors, Orpheus in the Underworld, and The Glass Menagerie at PSU. This summer Paul finished an initial draft of his new play, Smart Money ... Read Full
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