Projections on Stage Part I: How do I make them brighter?

The Butter Gun I’m not saying I do, but I am not saying that I do not.   In my home, on my breakfast table, I may,  or I may not have a gun that shoots butter.   If I did have

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Browser-Based Light Labs

Demonstrating theatrical lighting in an educational environment takes a lot of setup.  I have some standard lectures where I take my entire class down to one of our theatres and spend the class powering different instruments on and off while

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The Next-Generation Lightlab for Dance and Proscenium

In 2002, I created a set of browser-based light labs. These demonstrated the principals of lighting design, as well as creating an accessible place where people can experiment with light. There are some pros and cons to a browser-based lab.

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Media Platforms Helping Us to Reach Our Audiences and Our Broadway Idols

Developed in 2010, Instagram became one of the leading social media applications out there. The platform was bought by Facebook in 2012 but has become more widely used than its media owner, in that the coming generations of media sharers have switched

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Accessing Broadway: Learning experiences that bring life and light to the world of theatre.

Broadway Educators is hosted and maintained by All Tickets, Inc., which specializes in group experiences and educational theatre experiences in New York City. One of the services offered by All Tickets, Inc. is access to a huge range of workshops

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The Drama Machine

Behold, The Drama Machine.  This is an interactive application that demonstrates the variables that we always deal with in production.  It randomly combines factors: Script, Director’s Concept, Venue, Budget, and Time. It churns out the circumstances for a hypothetical production

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What is a Career in the Professional Theatre?

Students in high school and even in college are often confused as to what a career in the theatre really means? Although it is hard to believe, many still think that to have a professional theatre career you must go

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Lincoln Center for the Performing Arts

The Lincoln Center for the Performing Arts is a true arts complex, offering performances in a range of disciplines including music, dance and theatre. The Center, which is also a rich resource for theatre historians, offers daily tours that include special group

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Script Analysis Basics for Students: Understanding the Play and Plot, Part Two

In Part One of this four-part series, we defined formalist script analysis and discussed the importance of utilizing this interpretative too in preparing for production. It is an essential tool for directors and other artists, such as designers and actors,

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Script Analysis Basics for Students: Understanding the Play, Part One

Formalist script analysis for production is an important skill for directors, designers, and actors to master. Although each approaches analysis a little differently, there are foundation elements that everyone in the theatre shares when it comes to analyzing a script

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Theatre and Recycling: Soda Bottle Balustrade Dirty Rotten Scoundrels

Often in the theatre as designers we’re given challenges to create a scenic element that at first glance may appear to be too expensive, time consuming or unwieldy.  In the summer of 2012, I designed Dirty Rotten Scoundrels for Papermill

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Teaching Lessons in Scenic Design: Art from Nothing

I am positive that every scenic designer in the U.S. reading this blog understands the drill: Carefully read the script. Discuss it with the director. Do your research. Take time to conceptualize. Repeat. The process involves engaging in these steps

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Design: Experimental Design

  In what is the last of 10 exercises on design aesthetics, professor Rostampour allows for a wide range of experimentation. Students “will experiment with deconstructing a natural phenomenon, an insect.” They then utilize the insect’s form and reconstruct it,

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Design: Progression, a 3D Storyboard

There’s a lot of room for creativity in what is the ninth of 10 design aesthetics exercises from lighting and set design professor Fereshteh Rostampour . Students create a three-dimensional storyboard based on the theme “Progression.” Design process, use of material,

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Design: Mask Design & Creation

Design: Mask Design & Creation

In what is the eighth of 10 exercises focusing on design aesthetics from Associate Professor Rostampour, students design a character mask based on one of the following- Kabuki, ancient Greek, African, Commedia dell´Arte, or virtual game character/anime. They must also

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Design: Visual Narrative

Design: Visual Narrative

This exercise asks students to create a triptych that tells a story with a beginning, middle, and end. The three panels, which are developed as collages, must utilize the principles and elements of design. This is the sixth of 10

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Design: Music Composition

Design: Music Composition

In the fifth of 10 design aesthetics exercises from Auburn associate professor Fereshteh Rostampour, students are given the creative task of translating a 3 to 5 minute piece of music into a visual display. This is a wonderful mid-range exercise

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Design: Composition

Design: Composition

This design aesthetics exercise focusing on composition requires that students convey a focal point, asymmetrical balance, and movement. Students write a short story or develop a theme and then illustrate their central idea through collage. The point is to create

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Design: Color Wheel and Tones

Design: Color Wheel and Tones

This exercise, which is the third of 10 focusing on design aesthetics, demands that students create their own color wheel and tones. Tones are developed by using varying amounts of black and white. This is an exacting exercise from designer

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Design: Articulate with Lines

Design: Articulate with Lines

In this innovative exercise from theatre designer Fereshteh Rostampour, students are given 9 adjectives and they must draw lines to illustrate the emotion each evokes. Creativity, execution and presentation are all important in what is the second of 10 design

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Design: Creating Art with Point

Design: Creating Art with Point

is is the first of 10 exercises from Auburn professor Fereshteh Rostampour focusing on design aesthetics. The exercise involves some basic research, the use of a specific artistic technique and incorporation of fine motor skills as students recreate painting using

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