Dancing Feet and Other Bad Habits

Dancing Feet and Other Bad Habits

Whether they’re tap dancing, doing a move across the floor, or able to do a million pirouettes in a row, dancing feet are a beautiful thing. As long as they’re doing the right choreography and the student understands their weight

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Teaching Students to “Look It Up”9

Teaching Students to “Look It Up”

How much do you remember of your high school vocabulary lessons? You would write down your word lists, find the parts of speech, the definitions, and put each word into a sentence. This educational tool would help young students to

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Using Improvisation to Teach: It Is Okay to be Wrong! Part Two

In Part One, I wrote about the reasons why improvisation is a beneficial lesson supplement in the classroom as it helps students overcome barriers. For instance, a child who feels timid and typically does not volunteer to participate or speak

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Using Improvisation to Teach: It Is Okay to be Wrong! Part One

I am currently working long-term as an English Language Learner teacher for first grade. I find myself constantly repeating my mantra, “It’s okay to be wrong!” These first-graders are so eager to learn, and with that drive comes the eagerness

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Teaching Abstract Concepts Through Theatre, Part 1

Teaching Abstract Concepts Through Theatre, Part 1

I recently was faced with the challenge of teaching a classroom of second graders how to measure time. They were at a level in their learning where they were expected to know how to tell time by reading a clock,

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Spreading the Acting Bug to Scriptwriting!

Spreading the Acting Bug to Scriptwriting!

In my blog series, Spreading the Acting Bug, I’ve talked about my experiences working as a theatre teacher for young ones, marketing theatre classes in a non-profit atmosphere, and helping teachers find the right monologue books for actively auditioning kids.

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Noisy High School Students and Anne Bogart’s Viewpoints

In college, I found that the strongest productions I took part in were the ones that started with exercises in architecture, special awareness, tempo, and topography, key elements to Anne Bogart’s philosophy of Viewpoint Composition. The reason why I enjoyed

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Creative Drama For The Classroom: Line Games

Pocket Lines: Pulled it Right Out of Their… Pocket The first lines acting game requires a great deal of preparation from the teacher beforehand. As the teacher, you must compile a variety of numerous different brief lines that might be

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Understanding Drama Through Script Writing: Three Exercises

There are many different ways in which instructors of all levels can help students better understand a play. Many times classroom instruction involves discussion, reading aloud, and writing a formal essay about some theme, character, or other aspect of the

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Three Quick Playwriting Exercises that Get Results

If you’re teaching playwriting, you may be frustrated or perhaps a bit anxiety ridden about ensuring your writers can actually create scripts. In other words, many who teach playwriting for the first time find that they have difficulty in getting

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Public Speaking and Theatrical Techniques

Many of us assume that powerful public speakers are simply born with a natural talent for effective presenting. While it is true that some people are better oral communicators than others, anyone can draw on theatrical techniques to improve their

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The Actor’s Dilemma: What Young Actors Need to Learn- Part One

If you teach acting on any level and it is related to production and casting plays, then you know that when the cast list goes up there’s bound to be elation, disappointment, anger, and jealously, as well as many other

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Theatre History: A Discussion of Challenges and Remedies, Part II

  In Part I of our three-part series on teaching theatre history, we considered some of the basic challenges that are involved in bringing and delivering what can be a very daunting curriculum to students. There are a lot of

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Theatrical Training and Professionalism: The Power of Being Actively Curious

There’s something to be said for being curious, especially in an artistic profession such as theatre. By “curious” I mean not just wanting to know something, but being driven to find the answer, no matter what roadblocks arise. Perhaps its

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Theatre: It’s the Human Element

Theatre is an art. Although theatre is an art, it’s an art that thrives on connecting directly and immediately with audiences on various levels, including intellectually, emotionally, and spiritually. However, at times, it seems as though the theatre intimidates students,

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Theatre Students have to Be Open to New Ideas and Failure

Too often high school and college theatre students want the answers now. In other words, they want to know if they are any good at what they do, when they will finally be accomplished, and what the secrets to success

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Theatre History: A Discussion of Challenges and Remedies, Part I

In teaching theatre history on the university level to undergraduates, we’re often challenged by feeling the need to relay a mountain of facts that students tend to fairly boring, overwhelming, and inconsequential. Along with the historical information are our primary

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Teaching Directing: Two Different Approaches and Finding a Balance, Part II

In Part I, of Teaching Directing: Two Different Approaches and Finding a Balance, we focused on the benefits of having directing students work from the outside in. That is, focusing on text, directing skills and techniques, and proper interpretation of

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Of Mice and Men: Discussion Topics for the Classroom, Part 3

< Theme of Powerlessness The characters in Of Mice and Men are powerless due to various circumstances. For instance, Lennie, although he is employed as a ranch hand due to his physical strength, he is powerless because of his mental

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Of Mice and Men: Discussion Topics for the Classroom, Part 1

The renowned story Of Mice and Men, based on the 1937 novel by John Steinbeck, is returning to the Broadway stage in April 2014. Of Mice and Men (which is required reading in many schools) is based on Steinbeck’s own

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Teaching Directing: Two Different Approaches and Finding a Balance

There are various ways to teach directing to students. (That is, if directing is really something that you can actually “teach.”) Directing tends to be filled with challenges, as the stage director has to understand a script in its entirety,

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The Fantasticks: History and Themes for Classroom Discussion, Part 3

Romantic Fantasy in Moonlight, Cold Reality in Daylight Tom Jones and Harvey Schmidt named Act I of The Fantasticks “In the Moonlight” (due to its romantic mood) and Act II “In the Sun,” which is where the audience witnesses what

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The Fantasticks: History and Themes for Classroom Discussion, Part 2

The Process Tom Jones collaborated with J. Donald Robb on a musical adaptation of Les Romanesques from 1954 to 1956 as Harvey Schmidt was in the Korean War at the time. They originally titled the musical Joy Comes to Dead

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Importance of the Voice in Musical Theatre, Part 1

It is essential for students to learn the importance of the voice on stage. If singers cannot be heard by the audience, what is the point of having any listeners? Yes, it is a huge accomplishment to be able to

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Teachers Can Help Student Actors Create a Positive Self-Image

Over the years, I’ve found that many student actors at the high school and college levels have a very difficult time with their self-image, especially in terms of their physicality. Exactly what they are troubled by depends upon the individual.

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Teaching Commedia dell’ Arte, Part II

Character Walks Since Commedia Dell’ Arte is a physical theatrical art form, it is essential and fun to have students experiment with various ways of moving their bodies. Have the students walk around the classroom as a character of their

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The Fantasticks: Topics for Classroom Discussion, Part One

A Timeless Musical The world’s longest running musical, The Fantasticks (written by Tom Jones and Harvey Schmidt), opened off-Broadway in 1954. It all began with the 1894 French play, Les Romanesques by Edmond Rostand, which was essentially the story of

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Teaching Tips: Making Classroom Literature Active and Fun

When I was in school, I remember enjoying my Literature and English classes the most, but I especially looked forward to the classes where the teachers allowed us students to be involved creatively. Some teachers had us take turns reading

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Teaching Commedia Dell’ Arte, Part I

Benefits for Students Commedia dell’ Arte is an older theatre style, but it allows students the opportunity to be innovative. Commedia dell’ Arte teaches kids physical discipline, spontaneous use of their imagination, and the ability to think on their feet.

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Teaching Character Education Through Children’s Literature

What is Character Education? Character education is a term used to describe the educating of children in a way that will help them foster the skills necessary to be morally, non-bullying, healthy, successful, and socially acceptable human beings.    

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